Estou a escrever num momento em que ouço na televisão medidas que me deixam aterrada. Não sei o que escrever aqui face a isto. Olhe, meu amigo ou minha amiga, vamos ouvir música, vamos cantar que, quem canta, seus males espanta! O que lhe posso garantir é que a música é da boa e que a animação é contagiante. Acho que chega.
BENNY GOODMAN ORCHESTRA
Benny Goodman
cria a sua primeira orquestra em 1934 e numa sua biografia autorizada, pode ler-se
"Musicians had begun working their way north from New Orleans about the turn of the century, and by the early 1920s giants like "Jellyroll" Morton, Sidney Bechet, "King" Oliver and Louis Armstrong were playing in Chicago.
Benny Goodman was only 10 when he first picked up a clarinet and at 14 he was in a band that featured the legendary
Bix Beiderbecke. By the time he was 16 he and was asked to join a California-based band led by another Chicago boy,
Ben Pollack and when, in 1934, he heard that Billy Rose needed a band for his new theatre restaurant, the Music Hall,
he got together a group of musicians who shared his enthusiasm for jazz and got the job."
One o'clock jump é um original de Count Baise, em estilo 'riff'
-ostinato- e que constituía o tema de apresentação e fecho dos
concertos da sua orquestra.
cria a sua primeira orquestra em 1934 e numa sua biografia autorizada, pode ler-se
"Musicians had begun working their way north from New Orleans about the turn of the century, and by the early 1920s giants like "Jellyroll" Morton, Sidney Bechet, "King" Oliver and Louis Armstrong were playing in Chicago.
Benny Goodman was only 10 when he first picked up a clarinet and at 14 he was in a band that featured the legendary
Bix Beiderbecke. By the time he was 16 he and was asked to join a California-based band led by another Chicago boy,
Ben Pollack and when, in 1934, he heard that Billy Rose needed a band for his new theatre restaurant, the Music Hall,
he got together a group of musicians who shared his enthusiasm for jazz and got the job."
One o'clock jump é um original de Count Baise, em estilo 'riff'
-ostinato- e que constituía o tema de apresentação e fecho dos
concertos da sua orquestra.
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